This is Conrwall
Vibrant exhibits mark gallery's debut show Print E-mail
Saturday, 07 July 2007

It is art, but not as we know it. Yesterday Penzance saw the opening of The Exchange, a new art gallery for Cornwall which aims to convert more people to the strident, crazy world of contemporary art.

A curve of blue glass fronting the gallery is but a gentle introduction to the colourful offerings in the town's former telephone exchange in Princess Street, a new space for big and bold installation art.

The gallery is the major part of a £4 million predominantly Arts Council and Lottery-funded project, which also includes the revamp and extension of the 112-year-old Newlyn Art Gallery.

The shape of things to come can be seen in The Exchange's inaugural exhibition, called Social Systems, which includes Moroccan-born artist Hassan Hajjaj's Road Trip From Marrakesh to Penzance.

This chill-out zone, which taps into the surf vibes of contemporary Cornwall, features British groceries juxtaposed with Moroccan ones, seats with striped upholstery topping red plastic crates with Coca-Cola written in Arabic, tabletops made of British road signs, with North African-style floor cushions covered in upholstery with bold flowers.

Across the airy space of the gallery is a barricade of cardboard boxes decorated with painted lettering built by Argentinean artists' group Eloisa Cartonera. The artists have spent the past two weeks making the display and books of stories bound in recycled cardboard covers, including contributions from the Cornish writers' collective Scarvel an Gow.

Down the road at Newlyn Art Gallery, there is work by Scottish artist Christine Borland, whose arrangements of prosthetic limbs and mannequins was inspired by three years as artist in residence alongside medical students in the Knowledge Spa at the Royal Cornwall Hospital, Treliske, near Truro.

Exhibition curator Sara Black said the work wanted to encourage people to dip a toe in the water of contemporary art.

She said: "With this initial show we wanted to find a way to get the audience to participate. Hopefully it will succeed and people will feel they have access to the best contemporary art and not be afraid of it. Art is everything, it is part of everyday life. People often want to put art in to a box and it should not be in a box."

Scepticism from visitors was not unwelcome, she said, as long as it was constructive criticism. "It would be great to have people sitting here having a debate about it," she said.

The Arts Council has put £1.65 million into the project to encourage the contemporary art scene in Cornwall. It believes there is room for a venue in addition to Tate St Ives.

Mariam Sharp, of the Arts Council, said: "Cornwall has a long reputation for the visual arts and there was an opportunity for the Arts Council to maximise the number of artists who are here and provide the resources to allow more artists in."

A big part of the project has been to provide more spaces for students and school groups to learn about art. There are two large education rooms in The Exchange and one at Newlyn Art Gallery, with a view across Mounts Bay.

The work at the Newlyn gallery has included the restoration of the main building, retaining its character, and renovating the Victorian lantern that allows natural light to flood the exhibition space of the upper gallery.

The space provided in The Exchange is deliberately open plan, to provide the largest exhibition space for art in 180 miles.

James Green, curator of both galleries, said: "It is massively important for the whole South West. Except for the Tate, in terms of contemporary art venues Cornwall is very poorly served.

"Given that we have a huge community of artists in the region, there is a specialised audience that want to see more work."

article copyright WESTERN MORNING NEWS 

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